Find Philippe Gaubert composition information on AllMusic. Fantaisie for flute & piano. Chamber Music Nocturne et Allegro Scherzando for flute & piano. Gaubert Works for Flute and Piano. Sonata No. 1 for Flute. Madrigal. Fantaisie. Nocturne et Allegro Scherzando. (2) Esquisses. Sonata No. 2 for Flute. Sicilienne . Philippe Gaubert (5 July – 8 July ) was a French musician who was a distinguished Professor of flute in the Conservatoire de Paris (teacher of Marcel Moyse),; Principal conductor of the Paris Opéra Fantaisie for clarinet & piano; Fantaisie, for flute and piano; Gavotte en rondeau (after Lully’s Les ballets du roi).
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Nocturne et Allegro Scherzando. Haydn’s String Quartets Opus Share this sheet music Free-scores.
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Gaubert Works for Flute and Piano |
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Philippe Gaubert – Wikipedia
It would be hard to resist Susan Milan’s beauty of tone, range of dynamics and sparklingly clean and deft virtuosity, and in Ian Brown she has the unfailingly acute support of one of our most musicianly chamber-group pianists his delicacy in the Allegro scherzando and rippling passagework in the Romance are a delight. You can help Wikipedia by expanding it. Gauvert ist ein Kind geboren. His elegant fluent style, which does not significantly change from the Romance written at the age of 26 to the Sonatine over 30 years later though the theme of the latter’s second movement is harmonically bolder, only the variations justifying its subtitle ”Hommage a Schumann”owes much to Faure—no bad model to follow.
Yet besides being one of the leading flautists of his day the favourite pupil of Taffanel, with whom he wrote a famous flute tutorprofessor of that instrument at the Conservatoire, principal conductor and, later, vlute director of the Paris Opera, he composed a considerable amount of music; and to mark the fiftieth anniversary of his death fluute are all his works for flute and piano—four of them recorded for the first time—though this of course represents only a single aspect of his output.
Gaubert’s compositions are not especially innovative, but his work benefited from the examples of Franck, Ravel, and Debussy. There is a Debussyan opening to the second Esquisse and a freer sense of tonality in the First Sonata; like many French composers, he cannot resist an occasional glance at a pseudo-archaic idiom as in the first movement of the Suiteeach movement of which is dedicated to a distinguished French flautistand in the finale of the Third Sonata he shows that he can write a canon with the best.
Sor – Six divertissements pour la guitare Opus 2. Audio and video players are included. This article about a French composer is a stub. Fluge from flautists and old-time record collectors who remember him as conductor of the Societe des Concerts du Conservatoire [coincidentally reappearing on CD this month in that role, see page — Ed ], few will be familiar with the name of Philippe Gaubert.
Sor – Six divertissements pour la guitare Opus 1. Composition Artist Credits Sonata No. Public Not listed Private.
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Piano score 12 pages – 2. Performed by Alex Murray flute and Martha Goldstein piano.